Slow pop ballad about two friends who lost their dream.

Wrote it when I was in a rather sentimental mood. So it turned out quite simple and technically far from perfect (jolty vocals, monotonous backing synth, suboptimal balanced tracks). However, after having listened to the draft mixdown twice, I didn't mind, cos my basic intention was to carry the lyrics. On the other hand - if you're in such a weepy disposition you don't care for details.

The short spoken words clip (at the end of the chorus) is a kind contribution of Splicer mate Of_The_Ego.

Sound interpretation of a lucid dream - beware: it's NOT mainstream!
Inspired by the graphical artwork 'The Reality Inside The Dream' by splicer dvsoria.

Splicer dvsoria is graphics artist from the Philippines. I admire his fashion magazine drawings and his comic-like style. When i first saw his picture 'The Reality Inside The Dream', a dozen of strange and surreal thoughts came into my mind immediately. Composing this tune was like a journey through the subconscious... weird and experimental.

Journey through harmonic scapes - classic style piano and strings.
The title means 'Fenix fragments'.

Raggae style ballad

In 1985 my friend Lutz (no musician) and me were sitting in the kitchen, drinking and talking about music. He asked me if it was difficult to write a song. I replied that chords and melody are easy to find but it's always hard work to get some lyrics (at least for me). So just for fun we started to invent rhyming text lines alternately. I wrote them down and added a couple of chords the next day. Then I put it aside and forgot it for a pretty long time.
In january 2008 I happened to rediscover it in a pile of old papers and published it as a raggae on Splice.

Urban rock/triphop ballad about bleakness of niteclubbin scenes, trying to find answers and reaching decisions even they lead to isolation.

Remix note: The original and all embedded clips can be found on Splice (http://www.splicemusic.com/songs/Asaguare/heart-of-the-city).

Simple pop song (german text) about unsatisfied love, what else?

Somewhere in 1999 I used to go to my favourite pub for a late night chess play at the weekends. One day I noticed a beautiful girl standing alone at the bar. I fell (a bit) in love with her and considered to make a pass on her after the match, but when the chess game was over, she was gone. Neither bartender nor waitress knew her and in fact I never met her again. You can call it checkmate...

Techno/trance study based on a conceptional draft by Skyhawk.
Thanks to Toddnrgi and IdisidI for inspiration. Additional synth by IGTB (Caitlyn excerpt).

Three versions of a groovy tune is not enough. Last night I spliced number four, just for the fun of it.

Remix note: The original and all embedded clips can be found on Splice (http://www.splicemusic.com/songs/Asaguare/kik-da-base-nylon-mix).

French chanson style pop song (with english refrain, feat. fenix)

Acapella tribal
Song about throwing troubles into a deep swamp and hoping they will never appear any more. Yeah, life can be that easy...

My first try to create an acapella song on Splice. Well, to be honest, after having recorded and arranged my vocal clips, I thought that something was missing. So I added an unobtrusive synth bass line and a jungle soundtrack to bring out kinda swamp atmosphere.

Remix of one of my brother's instrumental compositions (Cubase test: guitar, piano, drums), added some voices and a tibetan chanting intermezzo.

Remix note: The original and all embedded clips can be found on Splice (http://www.splicemusic.com/songs/Asaguare/brother).

Persiflage about a guy searchin his afghanian, not knowing he unwittingly fed it to the ducks.
This tune was inspired by The Three Stages Of Duck by splicer Of_The_Ego.

Remix note: The original and all embedded clips can be found on Splice (http://www.splicemusic.com/songs/Asaguare/where-the-duck).

Australian outback soundscape, meditative and chilling ambience - Vocal crew (Splice mates) in alphabetical order: arobee1134, bram, idisidi.
And no, I haven't the faintest idea what the hell these blokes are doing with the stones.

Remix note: The original and all embedded clips can be found on Splice (http://www.splicemusic.com/songs/Asaguare/outback-vision).

A standard blues I wrote for the older ones on Splice in dec 2007.
Gave the sequencer's cheap piano a try - well, for classic music it's really rather cheap, but it sounds ok for dirty boogies. Except a single drumloop, all tracks are created by editing notes in piano roll mode.

One of my early experimental Splice songs, in which I played around combining several styles and vocal samples. It started with a nice clip (sung short melody) of Splicer girl Daisycrazy. Searching for a backing choir I found an interesting sample of a Tibetan school children choir. Sadly the keys didn't match and since I wanted to keep original pitches I couldn't overlay them. Instead I played them seperately, connected by a decent chord bridge.

Wrote this song in 1985. It has german lyrics and was originally played only by guitar. This version, however, is an extended one with drums/synth, as always created by using the Splice sequencer.

Once again a german Pop Ballad about saying good-bye when love is gone (title: It's getting cold). A cover version from a song I wrote in 1985, which was a quite creative year. And yes Sir, apparently I'm unable to write happy love songs...

Chilling psychodelic journey through canyon landscapes, based on a conceptional theme by Necromanos.

Raggae style Popsong.
Just a nice little tune which I couldn't get out of my head. So I spliced it on the fly... enjoy.

Club version of Rock oldie "The Letter".

This is my first modern cover version of an evergreen. If you listen carefully, you'll hear that I slightly altered the lyrics, now it goes: ... my baby wrote me an email. Furthermore I've inserted a little choral intermezzo to go beyond 3 minutes - the original song is only 1:58.

Bluegrass style popsong about questions and having a clue in life.
(And yes, I tried to sing it with a lisp - dunno why, thought it could give it a touch of countryside authenticity, haha. However the result was rather odd, but in the end I decided to keep it, because it sounded too funny.)

Remix note: The original and all embedded clips can be found on Splice (http://www.splicemusic.com/songs/Asaguare/question-one).

Slightly modernized version of a traditional Turkish folksong (Üsküdar'a gideriken); vocals by EVRiM.
Remix note: The original and all embedded clips can be found on Splice (http://www.splicemusic.com/songs/Asaguare/uskudar).

English traditional nursery rhyme with celtic flair.
Had a need for returning to folk roots and trying to abstain from all this modern effects/tech/synth mainstream stuff this time.

Ambient electronica, spoken words by Fenix.

Did it just for my own pleasure, this is my chill and brainstorm music. And t'was fun... vocodering fenix.

Sort of modern version of a standard classic pop ballad.
Afaik this tune has been added to the list of standard jazz ballads, so there's no licensing issues and hence has been covered by many artists.

Classical style woven melodies on an electronica background.
The term Anolyt (in the title) is an expression from paranormal science - Anolyt stands for alteration of water molecules due to cosmic radiation; the atomic bindings of hydrogen and oxygen are slightly bowed, resulting in a spheric form which widens the information depot. The occuring polarisation is equated with a male principle.

Traditional cajun waltz style folksong.

Don't listen to this if you're under 50. Play it to your mother, or even better, your grandmother... she will love it.

Traditional german folk song, slightly modernized style.
This was my test project when I recently checked out the Reaper sequencer. Although the rendering worked fine, it was impossible to work with this prog... just too buggy when it comes to MIDI/VSTi. Actually this song was intended to be a bit longer, but due to the mentioned glitches... no chance. So I sadly decided to deinstall Reaper today :o(

Rock the disco!

Aquatic submarine soundscape - mermaid fenix singing with dolphins and whales.
No musical instruments; only pure nature sounds.

Heavy metal version of the Lassie theme.

Frisky little tune.
This is an instrumental study where I basically wanted to use two clips from Splicemusic which were on my fav list a longer time: one is a bowed cello (as neat bass line), one is a hammond organ (serving as additional chording aid). For the rhythm track I took a discreet airtone drumloop. Melodic movement and sparsely chordings were done by the sequencer's internal sinusoid synth.
Although the song's character was intended to be melancholic, it came out quite happy-moody after I had added the melody.

:)